Y-Walls?
TM
What is your vision
of textile futures?
Textiles that can challenge the perception of a space. Future offers
possibilities of blurring the boundaries between textiles and architecture
where textile creates and defines space. Textiles that can stimulate
the senses and display emotions.To make interiors which are both functional
and asthetically sustainable.
What is your project
about?
This project aims to question the space of a wall. Are walls boundaries
or to they mark personal space? Imagine an interactive wall, which is
flexible and changes shape by virtue of hundreds of tiny magnets attached
to it. These are fun walls where the colours lift your mood; the scale
will surprise you and the sound will amuse you. I have made a set of
playful textile walls, which changes the space of a room.
What inspires you?
Architecture, colours and energy of the space around me.
Why are you doing this project? What
does it mean to you?
I have always been fascinated by the idea of investigating how human
senses work, what the energy of a space is and how it can be altered.
For a designer it is vital to understand how future can be made more
interactive and beautiful. This projects aims to explore the interface
and innovations that the axis between architecture and textiles can
yield. I like the idea of redefining elementary concepts like walls.
Walls are often perceived as boundaries but, ironically, these boundaries
also connect people.
What is ‘future’
about it?
Future is about making people engage with their surrounding space. In
envisage walls which are visually and aurally interactive. Textile Architecture,
which is emotional, sustainable and interactive.
Which materials
and technologies have you used?
Polyester, silkorganza, papersilk, magnets, steel, plastic, glass,
resin, yarns, reflective papers, mirrors, heat tranfer printing, digital
printing, screen printing and pleating.
Preksha Baid
Prior to embarking on the MA Textiles Futures course at Central Saint
Martins College, Preksha received a degree in commerce and a postgraduate
diploma in Textile Design and Development at NIFT, New Delhi, India.
During her studies, she travelled in the Kutch region of West India,
and worked with artissans from various communities. In 2004 Preksha
received an award for the most creative textile collection at NIFT.
She has also worked as an Assistant Art Director in Crayons Advertising
Ltd. in Kathmandu. There she realised the need to explore design with
a global perspective.
Acknowledgements:
I would like to thank my family for their support and love. Many thanks
to James and Juergen for always motivating me to believe in my work.
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