Press Release, Degree Show June 2007
We present 19 designers who have been challenging and redefining the field of textile futures. You can download images from our press download section or get more information about each individual project on
http://textilefutures.co.uk/exchange/bin/view/TextileFutures/Alumni07
RESPONSIVE TEXTILES
Can intelligent knitted textiles bring more fun to our everyday lives?
This project investigates the potential use of knitted textiles for
interactive lighting products.
How can the use of new materials and new technology be explored to redesign
the concept of swimwear?
Pet Cushion: Can woven textiles exploit principles found within bio-mimetics
to produce living animated objects for the home? Looking at organic textures
and nature as a muse, this project is about changing perceptions of furnishings
in the home.
This project explores the design of interactive wallpapers which react to the
weather forecast. The wallpapers brighten up on a rainy day and tone down with the sun.
Kerri Wallace: Motion Response Sportswear
This project challenges the potential of wearable display technologies in
textile design. The design collection explores ways to produce motion
responsive fabrics for sportswear. The textile collection mimics both animal and human species through the application of smart technologies and traditional printed textiles.
This design collection explores the notion of the body as a landscape. It is inspired by a personal photographic project which celebrates lights and the urban landscape. The final fashion collection incorporates various lighting technologies which are integrated with traditional print
techniques.
ECO CONSCIOUS
The potential use of solar energy in textiles is just in its infancy. This project explores the creative potential to design innovative textiles that combine traditional craft and embellishment techniques with the integration of solar cells for a fashion accessory collection.
A passion for transparent industrial materials and repetitive modular
structures has inspired the designer to develop new applications for technical
textiles. The final lighting collection is entirely designed to exploit the intrinsic qualities of recycled silicone.
Mark Liu: On the Cutting Edge
The project aims at combining the processes of pattern cutting and textile
patterns to generate an innovative fashion range.
Mix and match prints will allow consumers to be creative and experimental with
their clothes. They can customise their clothing every time they wear it.
Consumers can purchase fewer items of clothing for their wardrobe and reinvent
it again and again.
Can Tyvek clothing remedy fashion over-consumption?
An economy based on the increasing consumption of resources is only temporary
since the amount of resources on the planet is undoubtedly finite. The
project proposes a disposable Tyvek clothing line which aims to fulfil
consumers‚ incessant desire for fashion while reducing resource
over-consumption and wastage.
How can the natural elements be controlled and exploited in order to produce
decorative surfaces for exteriors?
POETICS
An interactive platform for designing knitted textiles for fashion.
How to create a new relationship between 2D and 3D textiles for innovative
fashion concepts?
Rebecca Otero: Chairs in Conversation, Scala Amoris
Through an exploration of innovative textile techniques and smart technologies
the project proposes chairs in conversation that manifest various rituals and stages of a love
relationship.
The ultimate scarf collection that changes colour over time and transforms with the seasons.
How can Textiles challenge the way we interact with the built environment?
This architectural textile collection plays with UV filters and natural wind forces to animate the exterior skin of derelict buildings.
No pain, No gain: this tongue in cheek underwear collection challenges the notion of pain and beauty. Temporary textile tattoos reveal a new skin aesthetic.
Can we use principle of biology as a new methodology to create fashion? This
project fantasises on the notion that garments can reproduce themselves
and exploits biogenetics as a creative process to design an innovative fashion
collection.
For further information, please contact
CaroleCollet, Course Director, MA Textile Futures, Central Saint Martins College of Art and Design, University of the Arts London, Southampton Row, London WC1B 4AP, UK.
Tel: 0044 (0) 207 514 7140
Email:
c.collet@csm.arts.ac.uk
High resolution images of each students work can be downloaded from here
PressImages